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Ryan Woodring

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footest

an HD ratio digital painting of an empty room painted in Photoshop with a tall teal dresser center-image, flanked by large gray rectangles to the left and an overexposed window with gray curtains and candy-cane striped mattress to the right. A way mirror on the dresser hazily reflects tones of ochre, unbleached titanium and black on its surface. A black mesh office chair rests center-right at the bottom of the painting. — STUDIES

digital still. spot healing. 2024. single-channel video. 9 minutes — SPOT HEALING

Vertically oriented overhead installation photograph at Sfaffordshire showing a plastic tray holding 11 3D-printed hard candies. Each is roughly the same volume while different in color and form. Sitting below the tray is an escaped candy and a printout detailing 30 different varieties of the candy in graphic form, each of them with the date of its inception beneath it. — TODAY (AND POSSIBLY TOMORROW)

GENERATIVE ADVERSARIAL NAUSEA

SUBSTRATE

a screen capture of a Google culture virtual exploration of the Metropolitan Museum of Art. It is is a rather blurry and strangely double-exposed image. The score reads: Use the Metropolitan Museum of Art's search engine to visit with works "On Display" that show up in searches for "sick" and "tired." — SICK AND TIRED AT THE MET

OLDEST NEW STRUCTURE...

a medium close up image of a full color 3D print of a seated figure atop a white pedestal and white wall. The figure, barely recognizable as such due to the aging of the original sculpture and the lossy process of photogrammetry, appears draped in fabric and staring forward. The 3D print appears incomplete, with only one half in color and the other a jagged black color. — DECIMATE MESH

© 2024, Ryan Woodring